The project is articulated through the logic of the program and its placement along a main avenue in Alicante. The dwelling is organized into three clearly differentiated areas: the night zone, the day zone, and a space dedicated to training and sports practice.

The architecture is positioned along the western edge of the plot. This displacement allows the expansion of the outdoor space associated with the living area, intensifying its relationship with the garden and the pool. At the same time, the placement preserves the existing large-scale trees, which are complemented by new plantings intended to consolidate, over time, a denser garden. The main access occurs from the eastern side, through a quieter street, thereby reinforcing the privacy of the house.

Between the day zone and the sports area, a transitional space is arranged, oriented almost north–south, which acts as a connector and promotes cross ventilation. One of the fundamental premises is to orient the night zone toward the east, ensuring its direct relationship with the morning light. A greater clear height is also pursued in the main space. The volumetry is resolved through two lower volumes between which a larger body is inserted. This latter volume, corresponding to the living area, appears to rise slightly, emphasizing its presence and giving identity to the proposal; its deep edge reinforces this condition, allowing the volume to appear as if it levitates above the space it protects. The thickness of this body allows for the integration of a deep structural system within it, enabling the main space to span its entire width without intermediate supports. The day zone is thus conceived as a continuous environment, in direct relationship with the exterior pavement and the sheet of water, dissolving the boundary between interior and exterior and reinforcing the open character of the house. Inside, the materials are resolved through a continuous and warm chromatic palette. Some vertical surfaces and furniture elements are executed in oak wood, providing texture and depth to the whole. This decision, together with the color temperature of the lighting, gives the proposal the intended domestic character.

Ultimately, this is an architecture that emerges from the place and the program, a matter as simple as it is complex to bring into reality.

The site, facing the Adriatic, does not establish a single direction. The horizon dissolves between the sea and the mountains, and the surroundings lack clear references to guide orientation. In this absence of signals, geometry becomes a form of search.

The project for this new residence in Montenegro emerges as a piece precisely placed on the terrain. When the landscape does not impose a front, the circle appears as a response capable of relating to everything without imposing itself on anything. Its trace avoids choosing a single viewpoint and allows every point along the perimeter to engage in dialogue with both the immediate and distant surroundings. The plan is conceived as a neutral support that accommodates the program without rigid hierarchies. The rooms are arranged around a central void that organizes domestic life and introduces light as an integrating element. It is light, rather than boundaries, that constructs the space. The continuous perimeter path allows the landscape to be incorporated seamlessly, offering changing views of the sea, the vegetation, and the sky.

The house adapts to the topography while minimizing earthworks. A stone base anchors the piece to the ground and establishes the necessary level to frame the horizon. Above it, the main volume is materialized through a clear and precise structure, where the continuity of materials emphasizes the unitary character of the whole.

From a distance, the house is perceived as a serene, almost abstract figure. From within, the space expands in all directions, allowing the landscape to be experienced without imposing upon it. We are interested in understanding this architecture as a silent mechanism that makes it possible to inhabit an extraordinary place without altering it, constructing a new episode in dialogue with tradition and time.

Fran Silvestre Arquitectos presents a new office tower project in Iraq, conceived as a vertical piece that explores the relationship between geometry, light, and perception.

The tower is structured around four cylindrical volumes, completed by a slender and pronounced vertical opening on one of their sides. Each of these openings is oriented in a different direction, offering specific perspectives and views from the interior. This arrangement generates a changing experience, as the building acquires a variable identity depending on the angle from which it is observed, reinforcing its dynamic presence within the urban environment.

The envelope is composed of small-format louvers that filter natural light, allowing controlled illumination to enter while ensuring interior comfort. This system acts as an intermediate layer between interior and exterior, adding depth to the façade and giving the tower a light and permeable presence.

The project proposes an architecture defined by geometric precision and the control of light, where form not only responds to formal criteria but also shapes the spatial experience and the building’s relationship with its context.