On the upper floor are the private rooms of the house, a volume that aims to levitate is drawn with the same materiality that gives the interior a kind of veil from which to look without being seen. The dimension of this second floor exceeds the closed space of the ground floor, generating terraces and throwing another border, in this case immaterial, the shadow.
The accent is placed on a constructive element, the gate, understood as a lattice built with industrial elements that on this occasion defines the architecture, confers privacy and dynamically characterizes all the materials as they are pierced by the intense light. An effect that has always captivated us, it is no coincidence that the Muslim architecture in which this element was used called it that way, masrabiya (“maravilla” in spanish, wonder).